![]() The phrasing and conviction in which they play sells it, and that is more important than any theory or flashy technical ability. King or Steve Jordan are so good, despite playing what are considered simple licks. Musicianship is a spectrum of skills that coalesce into controlled melodic output. But that would only be true if playing music were strictly technical. In shorter terms, practicing audiation results in better phrasing and rhythmic integrity.Ī lot of intermediate players, myself included, have a habit of falling into a musical theory trap, where if we just learn another scale or another arpeggio, we’ll suddenly become a better musician. Why practice audiation and ear training at all?īecause internalizing music is the key to externalizing music, which just means you have to be able to make the music in your head before you can accurately play it for people. I’d bet the style of your audiation depends on the genres of music you grew up with, what music you are attempting to create in any particular moment, and your most recent influences. It sounded bizarre then, but nowadays I think he was on to something. ![]() Or more simply put, well-phrased.īack in college, I heard about a guitar teacher who refused to let his students play a single note until they could sing it first. These instinctual ideations tend to be correctly paced and lyrical in nature. The music we think of and sing naturally is almost always phrased well. These aren’t all of the ways audiation can manifest itself, but they are the most fundamental to practicing music.Īudiation feels a bit mystical. GIML - The Gordon Institute of Music LearningĬoined by Edwin Gordon in the 1970s, it is the phenomenon of spontaneously hearing music in your head, coming up with internal melodies, and predicting where music will go based on conventional musical structures and familiarity with the harmony or style of the piece. One may audiate when listening to music, performing from notation, playing “by ear,” improvising, composing, or notating music.” It takes place when we hear and comprehend music for which the sound is no longer or may never have been present. ![]() “Audiation is the foundation of musicianship. Maybe you aren’t as good at audiation as you’d like to be because you’ve never deliberately practiced it. And while some people do have a more natural ability to distinguish between notes and recall melodies, improving our ears and audiation abilities is something everyone can do, but we just tend to ignore this aspect of musicianship in our practice. Playing well by ear is often seen as a coveted skill people are born with and is lumped into quasi-superhuman abilities like perfect pitch. Perhaps you hear something in your head, sit down, and as soon as you start playing, the phrases in your mind, also known as an audiations, walk out of your awareness and you’re back in the world of muscle memory and uninspired phrasing. This advice sounds simple enough, but when you sit down and start playing, it can be more difficult than you expect. If you’ve spent any time practicing music, you’ve probably heard phrases like these:
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